Entry point: High Noon (1952).
Explore the career in pictures
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Photo: Universal Pictures film frame. Larry J. Blake in Young Fugitives (1938), from a cropped film frame. Locally resized and converted; share image cropped and titled. Public domain in the United States (copyright not renewed). Portrait resized and converted; share image cropped with text added. See the source and license details below. Image credits
Larry J. Blake was an American actor whose career connected vaudeville, studio films and episodic television. Born in Brooklyn on April 24, 1914, he died on May 25, 1982. He was also credited as Larry Blake; the AFI Catalog explicitly joins those names in one filmography. Viewers may recognize him from a brief encounter in a well-known film without immediately knowing his name. Following the individual credits reveals a career built from many different supporting assignments.
Blake began as an impersonator in vaudeville and performed at New York's Roxy Theatre and Rainbow Room before signing with Universal in 1936. Early screen work included the serial Secret Agent X-9 and James Whale's The Road Back. The portrait preserved here is from Young Fugitives, released in 1938, in which the AFI Catalog names his character as Sam. It records the performer near the beginning of his film career, rather than illustrating his later television years.
High Noon offers a recognizable entry point. The AFI Catalog identifies Blake as Gillis in Fred Zinnemann's 1952 western, alongside Gary Cooper's Will Kane and Grace Kelly's Amy. The story's pressure depends on more than its central confrontation: the surrounding community gives the marshal's choices their context. On a rewatch, look for Blake within that network of townspeople. His presence is a supporting contribution to the film, not a claim that he was one of its principal stars.
In Sunset Blvd., Blake is credited as the first finance man, with Charles Dayton as the second. Billy Wilder's film places their practical financial pressure in the same world as Joe Gillis's frustrated ambitions. That small assignment provides a useful contrast with Gillis in High Noon: the shared name belongs to different characters and is not a connection between the stories. Precise role labels help distinguish Blake's part from William Holden's lead performance and prevent a familiar title from overstating his place in its cast.
The AFI filmography also records Blake as the plainclothesman Johnson in Holiday Affair, Martin in Flamingo Road and the drunk in Seven Brides for Seven Brothers. These productions range from a holiday romance to melodrama and musical comedy. Several appearances were uncredited on screen, so a modern filmography can be more detailed than the original title cards. The gallery keeps the character or assignment visible beneath each production image; the posters need not depict Blake himself.
Television extended that variety. Blake appeared in westerns including Gunsmoke and Have Gun – Will Travel, as well as Perry Mason, Adam-12 and The Waltons. He had a recurring jailer role in Yancy Derringer and regular work in The Pride of the Family. Returning to an established character and creating someone for a single episode are different kinds of work, even when both are filed under television in a short biography.
A useful viewing route moves from the early Young Fugitives portrait and credit to Sunset Blvd., High Noon and a selected television appearance. Rather than counting only minutes on screen, notice what a supporting character must establish quickly: an occupation, a relationship or an obstacle. This profile selects documented milestones and provides source notes for further identification. It is not a complete filmography, a ranking of performances or a claim about present-day streaming availability.
Selected career milestones. Years identify the production or labeled milestone; recurring actors may join a series later. Artwork represents the production and may show other cast members. Select an image for a larger view.
Plainclothesman Johnson. Supporting role in the holiday romance.
Production artwork from the DailyTimeCapsule archive. Image credits
Martin (uncredited). The 1949 feature, not the later television series.
Production artwork from the DailyTimeCapsule archive. Image credits
First finance man. A small but specifically identified role in Billy Wilder's film.
Production artwork from the DailyTimeCapsule archive. Image credits
Gillis (uncredited). Supporting member of the western's town ensemble.
Production artwork from the DailyTimeCapsule archive. Image credits
Drunk (uncredited). Small appearance in the original musical film.
Production artwork from the DailyTimeCapsule archive. Image credits
Portrait: Universal Pictures film frame
https://commons.wikimedia.org/wiki/File:Larry_J._Blake_in_Young_Fugitives_(1938).jpg
License: Public domain in the United States (copyright not renewed) https://commons.wikimedia.org/wiki/File:Larry_J._Blake_in_Young_Fugitives_(1938).jpg
Reviewed September 20, 2026. Source references and image credits are listed below. This is a selected profile, not a complete credit list.
Production artwork is reused from the DailyTimeCapsule archive. The imagery represents the production and may not depict this actor or their particular season. Portrait and share-photo attribution appears beneath the portrait.
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