San Diego Comic-Con portrait (2013)
Public appearance
Lennix at San Diego Comic-Con on July 20, 2013, photographed by Gage Skidmore.
Entry point: The Blacklist (2013–2023).
Explore the career in pictures
Updated
Harry Lennix is a stage and screen actor whose career includes The Blacklist, Dollhouse, Shakespeare and the plays of August Wilson. Television audiences know him particularly as Harold Cooper, the authority figure played opposite James Spader’s Raymond Reddington over The Blacklist’s long run. His other work includes major film franchises and regional theatre. The combination matters: the controlled presence familiar from television sits within a broader career of classical language, contemporary American drama and characters whose authority can be reassuring, compromised or dangerous.
L.A. Theatre Works records a substantial stage career alongside the screen credits. Lennix made his Broadway debut as Harmond Wilks in Radio Golf, and played Aaron in an Off-Broadway production of Titus Andronicus. Regional roles include Othello, King in King Hedley II and Sterling North in Permanent Collection. These are distinct productions and characters, rather than interchangeable examples of classical or dramatic acting. Together they establish the theatre work as a continuing part of his career, with playwrights and dramatic settings reaching well beyond television crime stories.
The Blacklist introduced Cooper within an institution forced to deal with Reddington’s unusual offer of cooperation. In an interview published as the series began in 2013, Lennix described the character in terms of power, political awareness, restraint and ambition. He also spoke about enjoying roles in which a person’s decisions carry consequences. That explanation is a useful guide to watching Cooper: much of the character’s impact comes from judgment, responsibility and the way he responds to people whose methods do not fit comfortably within ordinary rules.
Dollhouse had previously cast Lennix as Boyd Langton. His 2013 interview discusses the sharp reversal in the audience’s understanding of Boyd, whose apparently protective position eventually becomes something very different. Comparing Boyd with Cooper makes clear why an authoritative manner does not establish a character’s moral position. The two series use institutional settings and concealed information differently. A performance can invite trust early on while later events require the viewer to reconsider that trust, a possibility that is especially important to Boyd’s place in Dollhouse.
His film credits include The Five Heartbeats, Ray, Man of Steel and the Matrix franchise. Hallmark also identifies him as Martian Manhunter in Zack Snyder’s Justice League. These productions place him within musical history, science fiction and superhero storytelling, while his television work includes 24 and Commander in Chief. The roles do not all serve the same function, but they illustrate the variety of ensembles in which he has worked. A career overview needs both those recognizable screen titles and the theatre credits that developed alongside them.
More recent stage work includes Solomon “Sonny” Jasper in Branden Jacobs-Jenkins’s Purpose, a performance for which Lennix received a Tony Award nomination. Geffen Playhouse’s biography also records his return to Ma Rainey’s Black Bottom as associate director and musical director in 2026, following an earlier acting role as Levee. The distinction between a nomination and a win is retained here. So is the distinction between performing a role and taking responsibility behind the scenes, since both contribute to the account of his continuing theatre practice.
The two photographs were made at San Diego Comic-Con in 2013 by different photographers and capture different moments. One is a close portrait by Gage Skidmore; the other shows Lennix reading at a lectern during the announcement of a Batman and Superman film, photographed by William Tung. They are public-event records, not stills of Cooper or another fictional role. Their separate compositions complement an account of an actor whose public recognition crosses television, film and theatre while preserving the actual circumstances in which each image was made.
Two distinct photographs from the 2013 convention show a close portrait and Lennix’s appearance at the announcement lectern.
Public appearance
Lennix at San Diego Comic-Con on July 20, 2013, photographed by Gage Skidmore.
Public presentation
Lennix reads from The Dark Knight Returns at the Batman and Superman film announcement on July 20, 2013. Photograph by William Tung; not a production still.
L.A. Theatre Works: Harry Lennix
https://latw.org/artist-public-profile/harry-lennix
Geffen Playhouse: Harry Lennix
https://www.geffenplayhouse.org/people/harry-lennix/
Assignment X: Lennix discusses Cooper and Boyd
https://www.assignmentx.com/2013/exclusive-interview-harry-lennix-checks-off-the-blacklist/
Hallmark: Harry Lennix
https://www.hallmarkchannel.com/christmas/harry-lennix
Commons: portrait provenance and license
https://commons.wikimedia.org/wiki/File:Harry%20Lennix%20by%20Gage%20Skidmore.jpg
Corrections: hello@dailytimecapsule.com
Work: Harry Lennix by Gage Skidmore.jpg
Creator: Gage Skidmore
Date: 2013-07-20
Original source: https://commons.wikimedia.org/wiki/File:Harry%20Lennix%20by%20Gage%20Skidmore.jpg
Primary archive: https://commons.wikimedia.org/wiki/File:Harry%20Lennix%20by%20Gage%20Skidmore.jpg
License: CC BY-SA 3.0
License URI: https://creativecommons.org/licenses/by-sa/3.0
Changes: Resized and converted to WebP; portrait also placed in a titled share image. No endorsement implied. These image derivatives remain available under CC BY-SA 3.0.
Rights scope: No endorsement implied. See the stated license and modification notice.
Work: SDCC13 - Harry Lennix (9345225463).jpg
Creator: William Tung from USA
Date: 2013-07-20 13:26
Original source: https://commons.wikimedia.org/wiki/File:SDCC13%20-%20Harry%20Lennix%20%289345225463%29.jpg
Primary archive: https://commons.wikimedia.org/wiki/File:SDCC13%20-%20Harry%20Lennix%20%289345225463%29.jpg
License: CC BY-SA 2.0
License URI: https://creativecommons.org/licenses/by-sa/2.0
Changes: Resized and converted to WebP; portrait also placed in a titled share image. No endorsement implied. These image derivatives remain available under CC BY-SA 2.0.
Rights scope: No endorsement implied. See the stated license and modification notice.